7 Postcards for Innsbruck
저자:Olaf Nicolai
출판사: Spector Books
분야: 사진, 예술
쪽수: 300
크기: 110x185mm
제본: 무선
언어: 영어, 독어
발행일: 2021년 4월
7 Postcards for Innsbruck
Olaf Nicolai(올라프 니콜라이)이는 독일 출신의 현대미술 작가로 왕성하게 활동하고 있습니다. 2016년 3월 올라프 니콜라이가, 20세기 초반까지 우체국이었지만 지금은 미술관이 된 “The baroque Palais Fugger-Taxis”에서 열렸던 <7 Postcards for Innsbruck>개인전의 작업을 다시 책의 형태로 만든 결과물입니다.
전시회 기간 동안 7개의 사운드엽서가 정기적으로 인스부르크로 보내졌고, 전시가 진행되는 동안 관람객이 만들어지는 작품을 볼 수 있도록 각 노래에 해당하는 이미지를 35mm필름으로 설치했습니다. 이 책은 음악적 메시지를 재구성하는 방식으로 만들어졌습니다.
In March 2016 Olaf Nicolai’s solo exhibition 7 Postcards for Innsbruck opened in the baroque Palais Fugger-Taxis, which had been home to a post office until the early part of the twentieth century. His filmicsculptural work made reference to the former usage of the building to which news and messages had been distributed. Over the lifetime of the exhibition, seven “sound postcards” were sent to Innsbruck at regular intervals. They were dispatched by a singer from various points on her tour. As notation for the songs she used seven photographs of stone carvings that Nicolai had made for the exhibition and which were on display in Innsbruck. Over the course of the show each song was presented with the corresponding image in a 35 mm film installation so that visitors could watch the work being created as the exhibition progressed. The publication restages the musical messages in the form of a book.
7 Postcards for Innsbruck
Olaf Nicolai(올라프 니콜라이)이는 독일 출신의 현대미술 작가로 왕성하게 활동하고 있습니다. 2016년 3월 올라프 니콜라이가, 20세기 초반까지 우체국이었지만 지금은 미술관이 된 “The baroque Palais Fugger-Taxis”에서 열렸던 <7 Postcards for Innsbruck>개인전의 작업을 다시 책의 형태로 만든 결과물입니다.
전시회 기간 동안 7개의 사운드엽서가 정기적으로 인스부르크로 보내졌고, 전시가 진행되는 동안 관람객이 만들어지는 작품을 볼 수 있도록 각 노래에 해당하는 이미지를 35mm필름으로 설치했습니다. 이 책은 음악적 메시지를 재구성하는 방식으로 만들어졌습니다.
In March 2016 Olaf Nicolai’s solo exhibition 7 Postcards for Innsbruck opened in the baroque Palais Fugger-Taxis, which had been home to a post office until the early part of the twentieth century. His filmicsculptural work made reference to the former usage of the building to which news and messages had been distributed. Over the lifetime of the exhibition, seven “sound postcards” were sent to Innsbruck at regular intervals. They were dispatched by a singer from various points on her tour. As notation for the songs she used seven photographs of stone carvings that Nicolai had made for the exhibition and which were on display in Innsbruck. Over the course of the show each song was presented with the corresponding image in a 35 mm film installation so that visitors could watch the work being created as the exhibition progressed. The publication restages the musical messages in the form of a book.
