Eindhovenseweg 56
사진가 Ton Grote의 어머니가 2007년도에 돌아가셨을 때 그의 아버지는 큰 집에 홀로 남았습니다. 아버지가 청소를 시작했을 때 Ton Grote는 그 집에 있던 추억이 담긴 물건들 - 찻 주전자, 카메라, 전원 스트립, 안경, 낡은 축구공 등의, 집 ‘Eindhovenseweg 56’의 물건들을 모두 촬영했습니다. 그 결과 5,000개 이상의 사진이 포함된 사진 아카이브가 생성되었습니다.
이 책은 가족의 사생활과 더불어 더 큰 이야기를 담고 있습니다. 어린 시절과 부모에 대한 송가이자 역사의 고고학적 서사이기도 합니다.
The stories we tell are based on our memories and the objects around us. Documenting is a form of preservation and what is preserved tells a history. These are the traces of an existence.
When the mother of photographer Ton Grote (NL)died in 2007, his father stayed behind in a large house. Their parental home where his parents lived since 1969 and he grew up with his brother and sister. Eindhovenseweg 56, a house full of memories and dreams. When his father started to clean up, Ton Grote decided to photograph all the loose items his parents owned: teapots, old cameras, power strips, glasses and a worn out football. Treasured things they grew up with and the objects his parents used: everything was recorded. The result is an extensive photo archive of more than five thousand photos, of which 2,262 made it into the book, a Spurensicherung of real and fictional events.
Eindhovenseweg 56 tells both the personal life of a family and a bigger story. An ode to the life of his parents and his youth, but also an archaeological narrative of a recent history. A voyage of discovery between dream and reality, in which the observer will recognise himself and where their own memories and lost objects are given a new life.
Eindhovenseweg 56
사진가 Ton Grote의 어머니가 2007년도에 돌아가셨을 때 그의 아버지는 큰 집에 홀로 남았습니다. 아버지가 청소를 시작했을 때 Ton Grote는 그 집에 있던 추억이 담긴 물건들 - 찻 주전자, 카메라, 전원 스트립, 안경, 낡은 축구공 등의, 집 ‘Eindhovenseweg 56’의 물건들을 모두 촬영했습니다. 그 결과 5,000개 이상의 사진이 포함된 사진 아카이브가 생성되었습니다.
이 책은 가족의 사생활과 더불어 더 큰 이야기를 담고 있습니다. 어린 시절과 부모에 대한 송가이자 역사의 고고학적 서사이기도 합니다.
The stories we tell are based on our memories and the objects around us. Documenting is a form of preservation and what is preserved tells a history. These are the traces of an existence.
When the mother of photographer Ton Grote (NL)died in 2007, his father stayed behind in a large house. Their parental home where his parents lived since 1969 and he grew up with his brother and sister. Eindhovenseweg 56, a house full of memories and dreams. When his father started to clean up, Ton Grote decided to photograph all the loose items his parents owned: teapots, old cameras, power strips, glasses and a worn out football. Treasured things they grew up with and the objects his parents used: everything was recorded. The result is an extensive photo archive of more than five thousand photos, of which 2,262 made it into the book, a Spurensicherung of real and fictional events.
Eindhovenseweg 56 tells both the personal life of a family and a bigger story. An ode to the life of his parents and his youth, but also an archaeological narrative of a recent history. A voyage of discovery between dream and reality, in which the observer will recognise himself and where their own memories and lost objects are given a new life.