저자: Calla Henkel, Max Pitegoff
출판사: Humboldt Books
분야: 사진, 예술
쪽수: 216
크기: 200x260mm
제본: 무선
언어: 영어
발행일: 2016
Berlin, Zürich, Zürich, Berlin, Berlin, Berlin, Berlin, London
칼라 헨켈(Calla Henkel)과 막스 피테고프(Max Pitegoff)가 함께 작업한 사진집입니다. 2015년 베를린, 런던, 취리히의 아파트에서 촬영한 흑백 사진을 모아 같은 해 베를린 이사벨라 보르톨로치 갤러리에서 전시되었습니다.
Calla Henkel and Max Pitegoff’s book brings together black & white photographs taken at apartment viewings in Berlin, London and Zürich in 2015, and exhibited at the Galerie Isabella Bortolozzi in Berlin the same year. The images render a landscape of apartments, mostly empty, punctuated by potential buyers or renters projecting their own possible futures onto the spaces. The photographs blend into each other as if they were of one building, putting together material treatments, fixtures, flooring and faucets in their extraordinary specificity; or as if they were of one city, seen from the inside like a portrayal of a private-public sphere. The book includes a new text by writer Pablo Larios elaborating on the staging of personal environments and the relationship between figure and ground in Henkel and Pitegoff’s work.
Berlin, Zürich, Zürich, Berlin, Berlin, Berlin, Berlin, London
칼라 헨켈(Calla Henkel)과 막스 피테고프(Max Pitegoff)가 함께 작업한 사진집입니다. 2015년 베를린, 런던, 취리히의 아파트에서 촬영한 흑백 사진을 모아 같은 해 베를린 이사벨라 보르톨로치 갤러리에서 전시되었습니다.
Calla Henkel and Max Pitegoff’s book brings together black & white photographs taken at apartment viewings in Berlin, London and Zürich in 2015, and exhibited at the Galerie Isabella Bortolozzi in Berlin the same year. The images render a landscape of apartments, mostly empty, punctuated by potential buyers or renters projecting their own possible futures onto the spaces. The photographs blend into each other as if they were of one building, putting together material treatments, fixtures, flooring and faucets in their extraordinary specificity; or as if they were of one city, seen from the inside like a portrayal of a private-public sphere. The book includes a new text by writer Pablo Larios elaborating on the staging of personal environments and the relationship between figure and ground in Henkel and Pitegoff’s work.