Occult Painter and Abstract Pioneer
추상 미술의 선구자 중 한 명인 힐마 아프 클린트의 작품집입니다. 1944년 세상을 뜨기 전 1200점이 넘는 작품을 그렸지만 그녀의 인류학 및 오컬트적인 작품을 외부에 공개적으로 보여준 적은 한 번도 없었습니다. 이 책에서는 힐마 아프 클린트 작품의 영적 측면을 탐구하고 있습니다.
이 책은 스톡홀름 현대미술관에서 전시 카탈로그로 사용되었던 The Hilma af Klint Foundation과 협력하여 1989년에 처음 출판된 초판을 다시 복간한 것입니다.
A richly illustrated book exploring the spiritual aspect of Hilma af Klint's work
Hilma af Klint is now regarded as one of the Abstract Art pioneers. She painted more than 1200 works before her death in 1944, but never showed them publicly outside her anthropological and occult circles. After twenty years of artistry she developed a distinct abstract style and devoted the rest of her life to a grand painterly mission.
The spiritual aspect was the most important starting point for Hilma af Klint, just as it was for her contemporaries Kandinsky, Malevich and Mondrian. These early modernists were influenced by the then contemporary occult writers like Madame Blavatsky, Annie Besant, C.W. Leadbeater, and certainly af Klint’s spiritual leader Rudolf Steiner.
This book is a re-print of the original publication first published in 1989 in collaboration with The Hilma af Klint Foundation which also served as the exhibition catalogue for the exhibition at Moderna Museet, Stockholm.
Occult Painter and Abstract Pioneer
추상 미술의 선구자 중 한 명인 힐마 아프 클린트의 작품집입니다. 1944년 세상을 뜨기 전 1200점이 넘는 작품을 그렸지만 그녀의 인류학 및 오컬트적인 작품을 외부에 공개적으로 보여준 적은 한 번도 없었습니다. 이 책에서는 힐마 아프 클린트 작품의 영적 측면을 탐구하고 있습니다.
이 책은 스톡홀름 현대미술관에서 전시 카탈로그로 사용되었던 The Hilma af Klint Foundation과 협력하여 1989년에 처음 출판된 초판을 다시 복간한 것입니다.
A richly illustrated book exploring the spiritual aspect of Hilma af Klint's work
Hilma af Klint is now regarded as one of the Abstract Art pioneers. She painted more than 1200 works before her death in 1944, but never showed them publicly outside her anthropological and occult circles. After twenty years of artistry she developed a distinct abstract style and devoted the rest of her life to a grand painterly mission.
The spiritual aspect was the most important starting point for Hilma af Klint, just as it was for her contemporaries Kandinsky, Malevich and Mondrian. These early modernists were influenced by the then contemporary occult writers like Madame Blavatsky, Annie Besant, C.W. Leadbeater, and certainly af Klint’s spiritual leader Rudolf Steiner.
This book is a re-print of the original publication first published in 1989 in collaboration with The Hilma af Klint Foundation which also served as the exhibition catalogue for the exhibition at Moderna Museet, Stockholm.
